'Though shot in 1974 before After Manet, its conception post-dated all the preparatory work for that film. It handles in a single screen way a similar area of problematic relying more evidently on speculation by the audience of the 'out of shot' state of affairs, and on the expected development of the work. Like the Manet film, it is based loosely on another work, in this case adding a character who does not feature in the Lumiere film. Both works are concerned with cinematic procedures and with the audience procedure in structuring the material.' MLG

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the third version.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the first remake.

Co-produced by La Société Nouvelle des Films Marcel Pagnol, a picture of Corsica, confronted with post-war social change.

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Murdered in a parking lot on Avenue Foch in March 1984 at the age of 52, Gérard Lebovici found himself at the intersection of several worlds: the media industry, artistic ambitions, and radical subversion. Was it a mafia hit, a political assassination...? The investigation never reached a conclusion. Founder of the Artmédia actors' agency, film producer and distributor, creator of the Champ libre publishing house, friend of Guy Debord, Gérard Lebovici found himself at the extreme melting point of the tensions that mark our world: money, images, celebrity, networks, revolt, radical criticism, and marginality. Tracing an unusual journey, this portrait of "Lebo" paints a picture of an era that began with the radical protests of May 1968 and ended with the cynicism of the 1990s.

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An episode of the show "Océaniques " about the craft and lighting techniques of the legendary French cinematographer Henri Alekan

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